DAVID HOCKNEY

IN

David Hockney is one of Britain's greatest artists, and his work stands out for its vivid colors, typical of modernism, and also for the dimensional power of his flat creations. This study analyzed more than 400 works available on the author's website. But what ultimately characterizes David Hockney's work? Fans would say: the colors, and anyone, even those unfamiliar with his work, would agree.

PERSPECTIVE

1950s, the first paintings
Hockney has explored many techniques over more than seven decades of work. Where has he landed?
California in the 1960s
The 1960s and 1970s marked the artist's consecration, with paintings such as Portrait of an Artist (Pool with Two Figures), 1972, and A Bigger Splash, 1967.
The 2000s, the digital age
He started with a computer, tried the iPhone, but it was the iPad that gave him comfort.

Zoom out to understand the artwork

People are sitting down to have their portraits taken, which is very common in David Hockney's work. He likes chairs and benches, and loves to show that the portraits are being taken of people who are sitting down. Hockney's work is vast, spanning more than seven decades, and continues to be added to in the current decade.

But portraits are not unique and characteristic of his estate; we cannot forget the vases, plants, and flowers, the trees, mountains, and roads... ah, the swimming pools.

Exploring the artist's various phases necessarily implies understanding that there was experimentation and adaptation. The decades and techniques are a journey of color and motif. It is not possible to reduce the colors to the whole of his work, but we can try to approximate it. Therefore, we will increase the scope and zoom out on his work.

Now let's get closer

Hockney's collection of paintings in traditional techniques follows the same logic as his digital work, which in 2010 found a new medium in the iPad. The colors vary and blend together. We still know it is a work by David Hockney, but we are surprised by so many layers of color. Here we explore and invite you to explore: David Hockney's color palettes, first through the combination of traditional techniques for each decade, and then, in the late 2000s and early 2010s, the shift to digital.

As much as we can demonstrate that Hockney used many palettes throughout his career, it is possible to look at a set and assume: yes, these are his colors (without excluding all others).

We ventured to associate, in color clusters, the main shades used by the painter in the sample of 412 pieces. This was the result.

All 3x3 squares, with the palettes from the analyzed set, follow this hierarchy pattern. Here is the second most used color.

Here is the third, and so on.

These were the 9 most used colors, and they form the color pallete of the entire set analyzed.

Variation in colors used using traditional techniques, such as paper, canvas, board, and plywood, over the decades.

The painted motifs shape the palette.

Although some colors are always present, there are variations in shade and a clear pattern for each decade.

At the end of the 2000s, Hockney fully embraced digital production.

The computer and iPhone marked the experimental phase, but it was on the iPad that he found a way to continue his work.

Depicting landscapes strongly influenced the color green as the most used. Hockney made digital series dedicated to Woldgate (a rural area in Yorkshire, northern England, where the painter lived) and Yosemite (California National Park).

The blue and the pools

In the 1960s, the painter moved to Los Angeles, and during that decade and the following one, Hockney's work was influenced by swimming pools and references to water. The painter's works associated with this period became a marker of his style and are considered his most important creations. The painting “Portrait Of The Artist (Pool With Two Figures), 1972” was sold in 2018 for $90.3 million. The online catalog, however, leaves no room for doubt: it is marked by the preference in recent years for addressing nature, with an emphasis on trees, mountains, and paths.

Methodology

Data access: Using the BeautifulSoup library, images of Hockney's works were taken from the painter's personal archive, available at https://www.hockney.com/. This information was then organized into a data table by title, year, format, and image link. We used KMeans to classify images and group colors into clusters, and matplotlib to visually create the color palette, which was saved locally.

Analysis and visualization: With the palettes created, KMeans created the color clusters, and Counter was used to count how many times that cluster was used in pixels in the analyzed set. In the end, we used Altair to visualize the 3x3 square and to save the graphics in SVG for a final touch in Illustrator.

All code and data can be found here.